I am pleased to announce that as of today, the prices of the following five Paul Halter books and e-books will be reduced to $15.99 and $7.99 respectively: The Fourth Door; The Demon of Dartmoor; The Seventh Hypothesis; The Tiger’s Head; The Crimson Fog.
The Killing Needle will now be $12.99 and $5.99
“These changes are in response to [fill in the blanks]”
I’m delighted to announce that Yukito Ayatsuji’s classic is now available on Amazon and Kindle. It’s the book which is credited with re-launching the Golden Age style novel (known locally as honkaku) in Japan after a forty year period dominated by social/police-procedural mysteries.
Although it is an open tribute to Dame Agatha’s And Then There Were None, it is nevertheless brilliantly original and richly atmospheric. Publisher’s Weekly has named it as one of their Best Summer Reads of 2015.
As an added bonus, the maestro of honkaku, Soji Shimada himself, has done me the honor of writing a fascinating Introduction which describes in detail the evolution of Japanese detective fiction and the renaissance of honkaku. Of particular interest is the role played by the Kyoto University Mystery Club, covered in an essay by Ho-Ling Wong, the gifted translator of DHM, himself a member.
Not for nothing is Noel Vindry known as “the French John Dickson Carr.” Between 1932 and 1937 he wrote twelve locked room novels, of a quality and quantity to rival the master himself, yet he has so far remained unknown to English-speaking readers.
In its starred review Publisher’s Weekly says: “Vindry displays gifts for puzzle making and a creepy atmosphere that will resonate with fans of John Dickson Carr.”
The legendary Boileau-Narcejac team, responsible for Vertigo and Diabolique, spoke of his “unequalled virtuosity” and “stupefying puzzles.” Thomas Narcejac said that “not even those specialists E. Queen or D. Carr” (sic) were Vindry’s equal. He was the poet of the puzzle novel.
The House That Kills (“La Maison Qui Tue”) was Vindry’s first book, featuring examining magistrate* Monsieur Allou and three baffling locked room mysteries, including the first appearance of one particular puzzle type, to the best of my knowledge.
*an examining magistrate is a peculiarity of the French judicial system. Carr’s first four books featured another one: Henri Bencolin.
I have just learned, to my intense sorrow, of the death of Robert Adey (Bob to all of his friends). Bob, of course, is known to all locked room fans for his bibliography Locked Room Murders, the reference “bible” for all such English-language works.
He was the epitome of the phrase “a gentleman and a scholar,” for he was not only possessed of a prodigious memory and a fabulous private collection, but he was the kindest and most generous of men. Despite a debilitating illness in his final years, he was always ready to help and supplied me with copies of many out-of-print stories. When I asked him to write the introduction to ‘The Derek Smith Omnibus’ he did it splendidly, despite an initial reluctance, doing weeks of research through his old files. I only realize it now, but it must have been literally “painstaking” for him, yet he did it graciously as an act of friendship and a tribute to a late friend.
He will be sorely missed
The Washington Post just published its list of the top 50 fiction books of 2014. That’s all fiction, not just mystery fiction.
The Derek Smith Omnibus was at number 12:
I wish all LRI readers all the best for the holiday season and thank you for your support (and your e-mails which are always welcome).
Let us end the year on an encouraging note, from the UK:
Is Golden Age Detection making a comeback? One swallow doesn’t make a summer (as they say in the UK–“swallow” as in the bird) but maybe people are finally tiring of plot-less drivel and social messaging disguised as detective fiction.
Maybe Michael Dirda’s enthusiastic review of the Derek Smith Omnibus in the Washington Post was a foretaste of things to come:
I pledge to do my part:
There will be a lot of interesting stuff by LRI in 2015. I’ll fill in the details as soon as all the agreements are firmly in place. My goal is at least six top-flight impossible crime novels in 2015.
Happy New Year!
Many thanks to those who volunteered to proofread. I received many more application than I anticipated. I will happily involve all those who answered the call in future projects, but I won’t be able to accept any more.
I’m in the process of expanding the scope of my publications, still staying within the locked room/impossible crime sub-genre, but including past and present writers from many more countries. The aim would be to release 6 new publications a year (2 of which would be Halter works.)
To do that I need 4 more volunteer proofreaders. The way it works is that for each new title I send a draft (in English) to 4 proofreaders simultaneously, with a return date of 2 months later. They aren’t professionals: they do this for fun in their spare time and they tell me they love it. Unfortunately most of them can’t fit in more than 3 books a year. So to get to my goal of 6 books a year I need 4 more enthusiasts. There’s no payment involved, although you do get a copy of the final publication, signed if the author is still alive.
You don’t need any training: all you need is an eagle eye for spelling errors, missing periods, missing quotes, etc. If you’re interested, send me an e-mail at firstname.lastname@example.org. I have an incredible number of great stories and you could help bring them to market.
Just returned from a month’s vacation on the other side of the world. Great while it lasted, but now back to work.
The Picture from the Past is now out in paperback and will be out in Kindle before the day is out, I hope. This is another very enjoyable Dr. Twist novel from the great Paul Halter.
Anyone looking for a signed and dedicated copy should contact me now on email@example.com. Demand has increased and you don’t want to miss out.
The editor of Ellery Queen Mystery Magazine, Janet Hutchings, flattered me by inviting me to write a blog on any subject. As I have had a lot of dealings with Shimada Soji recently, I decided to write a piece lamenting the attitude of most western critics (Publisher’s Weekly and Washington Post excepted) towards classic detection and contrasting that with its immense popularity in Japan (particularly the locked room variety) where it is called “honkaku.” Janet herself bemoans the fact that she gets almost no submissions from present American writers.
I think part of the reason that classic detection does not get the respect it deserves is that we insist on calling it “Golden Age Detection.” The vary name implies it’s all in the past; over and done with. The term “honkaku” (orthodox) describes the books themselves, not the period when they were once written, and it’s kind of punchy, which is why I like it.
Here’s the blog. It is preceded by a very flattering introduction; not altogether surprising since I pretty well wrote it 🙂